Choreography and Movement for Actors

My work in Theatre Companies, Opera productions, and Drama Schools encompasses many techniques,  and different styles of choreography. My aim is to give performers physical confidence and power onstage, and to create powerful and accessible choreographies and Physical Theatre, that enhance the production and enriches performances at all levels of dance ability. 
 
These are some of the productions that I have worked on:
 
RSC DON QUIXOTE 2019
CERVANTES THEATRE YERMA 2019
CERVANTES THEATRE HOUSE OF BERNARDA ALBA 2017
WAC ARTS THEATRE  HOUSE OF BERNARD A ALBA (Musical) 2016
ROYAL OPERA CARMEN 2014
WAC ARTS THEATRE BLOOD WEDDING
 
The Choreography for The House of Bernarda Alba (musical Cockpit Theatre) received an outstanding review from Rogers and Hammerstein that I have reproduced here. The students gave a powerful performance after working with me for only 6 weeks. 
 

Review of WAC ARTS production, choreographed by Talia in July 2016, from Rodgers and Hammerstein

I just wanted to drop you a quick line to say how much I enjoyed WAC’s production of BERNARDA ALBA last night. 

I thought the energy especially in the ensemble work was excellent and the degree of focus and accuracy in the Flamenco sequences particularly effective. ‘The Prologue’ was such a great start to the production, looking around during the well-deserved applause, I could see that the whole room was beaming. 

I am a great fan of the score but the music is deceptively difficult to prepare and perform. Given that it conveys both mood and narrative, it was very well done and I thoroughly enjoyed the experience of hearing the score performed live. The band was excellent.

It was clear that the rest of the audience thoroughly enjoyed the production.

Thank you for letting my colleagues and I attend the performance and I hope the rest of the run goes as well.

Kind Regards,

Robert